I finished Control last week, likely the best game to marry a creepy funhouse with a sprawling government office that you’ll ever play. I was up and down on this one for a few months. There’s a fun narrative and plenty of atmosphere, but I wasn’t always enjoying the gameplay.

I hadn’t played a Remedy game since Max Payne 2. The shift from comic book-style storytelling to something literally cinematic was a change for me, but I was still able to comfortably slip into the narrative right away. I particularly enjoyed what was going on with the meta-narrative. For example, I’d get so damn lost running around even with signs everywhere. Normally, the existence of the signs would feel like a change implemented after tester feedback, but then I would see stuff like “Janitor’s Office” and think there’s intentional thematic design at play. Constantly questioning that in various elements of the game was part of the fun.

Unfortunately, my tendency to get lost wore my patience thin eventually, and the new gameplay unlocks bored me. It was a blast at first–I haven’t had this much fun with telekinesis since Star Wars Jedi Knight: Jedi Academy forever ago–and the gunplay felt solid. But then, as more of the weapon options showed up, I didn’t click with any of them and preferred chucking rocks. It’s also a great looking game at times. This is the first game where my system has been able to handle more than basic ray tracing, but I’d get a lot of blurry textures. I even had to rollback my video driver to resolve a problem with the cinematics. It’s weird to call a game where I’d get a solid 60 FPS a rough port, but I think this qualifies.

I picked up the game again last month and made some more progress until a certain late-game section completely stonewalled me. I simply didn’t have enough health (or damage output, or both) for the encounter, and the choice was to either grind for skill points/mods or start looking at difficulty options. I quickly found a switch to an “Easy” difficulty wasn’t possible but there was an Assist Mode. I started with reducing incoming damage, but after a couple more five-minute attempts I was frustrated enough to turn one-hit kills on. I couldn’t tell you the last time I did something like that to get through a game. It was either that or likely drop the game permanently (a shame being that close to the ending). Still, I’m glad I kept playing, even if I’m not entirely sure in the end Control kept its end of the bargain. I don’t think the story quite stuck the landing.

Any thoughts on Control? I seem to be down on it more than most. I imagine Remedy fans in particular got a kick out of it. Or on a game that pushed you into cheats or breaking another gameplay tradition you have?

  • C0unterfactual
    link
    fedilink
    arrow-up
    13
    ·
    10 months ago

    I loved it and also found it surprisingly difficult in places. I think the use of mixed media is brilliant, like the various flavors of video clips and music you stumble across. A couple boss battles were very challenging. One in particular, but you can finish the main storyline without beating it.

    The section of the Oldest House that opens up into a vast maze of hallways is totally epic, IMO. The soundtrack gets metal in a cinematic way right there (Old Gods of Asgard, I think, from Alan Wake? Plus Porcupine Tree!)

    I enjoyed the dark and yet whimsical vibe, if you couldn’t tell.

    • magikmw@lemm.ee
      link
      fedilink
      arrow-up
      4
      ·
      10 months ago

      FYI Old Gods of Asgard are basically Poets of the Fall, a real band that collaborated with Remedy at least since Max Payne 2.

      If I listened to Late Goodbye on tape you couldn’t hear it anymore with how I much I abused it.