• Dagwood222@lemm.ee
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      3 months ago

      In a finer, better timeline, there was a Judge Dredd movie directed by Terry Gilliam

      • ᴇᴍᴘᴇʀᴏʀ 帝@feddit.ukOP
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        3 months ago

        It’s a bit of a deep dive, especially as there’s no page that I can direct you to (online, I bet it’s in one of the books I have).

        • eyes@lemmy.world
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          3 months ago

          Ive read most of the pre 1980s 2000ADs at one point or another (my dad had his childhood ones on a big box) but it has been nearly a two decades since I read any so my memory has someone faded.

    • feedum_sneedson@lemmy.world
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      3 months ago

      That’s a very comprehensive answer, thank you. Although I have to concede that the car does suit the aesthetic of that comic.

      • okamiueru@lemmy.world
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        3 months ago

        the car does suit the aesthetic of that comic.

        It… really does not. The cybertruck looks like the sad compromise of a too low polygon budget for a 80s game. The JD aesthetic is robust (*) and thick, sure, but not minimalistic.

        (*) to which I mean the extent in that the Cybertruck looks robust.

        Which is just a classic musky thing to do. Say some BS that barely passes the “as long as you don’t know anything about what I’m talking about, then it might sound right!”-test, and simps abound to make the bullshit asymmetry even more asymmetric.

        PS: I’m sorry. I have blocking filters for “Elon” and “Trump”. Too many fucking morons with megaphones these days.

        • ᴇᴍᴘᴇʀᴏʀ 帝@feddit.ukOP
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          3 months ago

          The cybertruck looks like the sad compromise of a too low polygon budget for a 80s game. The JD aesthetic is robust (*) and thick, sure, but not minimalistic.

          And, like a lot of Carlos Ezquerra’s designs, the early Mega-City One aesthetic was very rounded and organic (“bubbly” even).

      • ameancow@lemmy.world
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        3 months ago

        Nah, it looks like someone wanted to design a car but realized curves are complicated and hard to draw and model.

        Judge Dredd aesthetic is brutal but aggressively practical, with function deciding form. The cybertruck was made in reverse, with a design that the Tesla engineers were forced to cram a vehicle into.