The image, rendered in a grainy black and white tone, shows a Victorian-era café interior. The floor is covered in patterned tiles, and wooden chairs with curved backs and small, round tables are arranged neatly throughout the space. Decorative wrought-iron fixtures hang from the ceiling, holding dimly glowing lamps with frosted glass shades. The walls, adorned with framed photographs and ornate wallpaper, create a cozy yet refined atmosphere.

Seated at one of the central tables is a man wearing a suit with a high, stiff collar and a waistcoat, along with a neat cravat. His hair is neatly parted, and a bowler hat rests on the table beside him. He holds a small, rectangular device with a smooth surface and a dark, blank screen, tapping at it with one hand. With a weary expression, he looks down at the device while lifting a delicate porcelain cup to his lips. Around him, other patrons—women in long dresses with lace details and men in frock coats—converse quietly, read newspapers, or sip from teacups. Their faces appear focused or engaged, in contrast to the central figure’s distant, somewhat bored demeanor.

At the counter in the background, a bewhiskered barista in an apron polishes a silver coffee pot. Large windows on one side admit soft, diffused light, which falls gently over the patrons and the polished surfaces of the furniture. Everything in the scene, from the attire to the furnishings, appears historically consistent with Victorian England