I picked up The Thaumaturge based off of an Angry Centaur Gaming review, and for as much as I enjoyed that game, I basically never hear anyone else talk about it. They likely built the game on a modest and reasonable budget, but I’m still concerned that they didn’t break even.
Diesel Legacy: The Brazen Age was one of the best games I played last year, but it’s just about guaranteed that they did not make their money back, once again on a lean budget.
Cloak and Dasher is a game akin to N++ that my brother and I played at PAX East some years ago, and we were immediately impressed and bought early access copies. It probably hasn’t even cracked 1000 copies sold and will likely never leave early access. (They should patch it up and finish it regardless, but what’s there now is already great.)
Keep in mind that none of these games are $100M flops. They’re great games with reasonable scope that are still struggling to survive. Mimimi closed down because they were just barely breaking even and struggled to find funding even with critical acclaim and a core audience that liked their games.
I picked up The Thaumaturge based off of an Angry Centaur Gaming review, and for as much as I enjoyed that game, I basically never hear anyone else talk about it. They likely built the game on a modest and reasonable budget, but I’m still concerned that they didn’t break even.
Diesel Legacy: The Brazen Age was one of the best games I played last year, but it’s just about guaranteed that they did not make their money back, once again on a lean budget.
Cloak and Dasher is a game akin to N++ that my brother and I played at PAX East some years ago, and we were immediately impressed and bought early access copies. It probably hasn’t even cracked 1000 copies sold and will likely never leave early access. (They should patch it up and finish it regardless, but what’s there now is already great.)
Keep in mind that none of these games are $100M flops. They’re great games with reasonable scope that are still struggling to survive. Mimimi closed down because they were just barely breaking even and struggled to find funding even with critical acclaim and a core audience that liked their games.