• Egon [they/them]@hexbear.net
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      1 year ago

      JEG VIL IKKE MERE! År efter år er det gået på samme måde. Alt er gået som det skal, indtil det er gået galt, og hvorfor? Fordi man er omgivet af hundehoveder, ignoranter, fæhoveder, fejehunde, uden fantasi, et par IMPOTENTE HÆNGERØVE, et par småimpotente grødbønder

        • Egon [they/them]@hexbear.net
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          1 year ago

          My account is named after the character from a series of movies about bankrobbers. It was the only western movie-series allowed in the GDR. The guy had a bit where he would go on long insulting rants against his comrades after they’d fucked up, calling them all sorts of names, typically finishing off with declaiming they were SOCIAL DEMOCRATS (this being the worst he could call them).
          Here’s a compilation of him tearing into people, and also being torn into a little bit

          Here’s a really famous scene where they rob a bank to Elverhøj

        • GenderIsOpSec [she/her]@hexbear.net
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          1 year ago

          I DON’T WANT TO DO IT ANYMORE! Year after year, it’s been the same. Everything has gone right until it’s gone wrong, and why? Because you’re surrounded by dog-headed, ignorant, stupid, cowardly, unimaginative, unimaginative, a couple of IMPOTENT PIGS, a couple of small impotent porridge farmers.

          according to some, i dont have enough hot potatoes in my mouth to translate danish blob-no-thoughts

          • Egon [they/them]@hexbear.net
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            1 year ago

            Perfect translation 10/10 Maybe there’s a little bit lost in translation between the non focused way “Jeg vil ikke mere” goes than the focused way “I don’t want to do it anymore”, but that’s incredible nitpicking.

            Some of those words hit much harder in english lmao. Gonna have to start calling people both impotent pig and “small porridge farmer”

          • SoyViking [he/him]@hexbear.net
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            1 year ago

            A different version of the same rant can be translated to:

            It’s the same thing every time! You have a plan, a brilliant plan! And then your surrounded by dogheads and deadbeats, lousy amateurs, miserable hacks, ridiculous shitkickers. Incompetent assholes, impotent mush peasants and social democrats!

      • Asymptote@lemmy.dbzer0.com
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        1 year ago

        Åh gud jeg ville betale gode penge for at se noget moderne med Egon. Desværre er Ove død, og ingen kan fylde Oves små og Egons mindre sko - Balling, Bahs og Sprogøe fik virkeligt fanget en karakter af dimensioner, og samspillet med de øvrige karakterer var på samme tid plat og eminent, især Kirsten Walther. Åh altså.

        • Egon [they/them]@hexbear.net
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          1 year ago

          Ove er blandt de bedste og hvem end der var stylist for Benny blev ikke betalt nok, gutten havde de fedeste fits

        • SoyViking [he/him]@hexbear.net
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          1 year ago

          Et moderne reboot af Olsenbanden ville have en masse materiale at arbejde med. Det moderne erhvervslivs opblæste disruption-hype og finansielle fiksfakserier vil sagtens kunne skabe en ny version af Hallandsen. Den moderne Jensen vil passe perfekt ind i new public management. Og så vil der kunne være meget sjov i at lade de moderne Kjeld og Yvonne have mellemøstlig baggrund. De skal i hvert fald ikke bo i Valby længere, for det er blevet for dyrt. Måske skal den røde kuffert indeholde en harddisk med bitcoins?

          • Asymptote@lemmy.dbzer0.com
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            1 year ago

            Jeg kan godt forstå din entusiasme, men jeg synes efterhånden vi har set så mange reboots af ting hvor det er håndteret så ringe at det trækker ned på originalerne.

            Dem der laver det er også fanget i en sump af at skulle respektere det gamle for ikke at få på puklen for det, ikke være for trendjagende, ikke at være for meget eller for lidt woke, ikke at have samme “feel” osv. Bare se de “nye” Far til Fire.

            Den var også lidt en tidskapsel for det Danmark og især det København der fandtes dengang, om end i et meget statisk perspektiv. (Selv om jeg har kendt mange fra det miljø og den tid… Det er en type karakterer jeg ikke ser meget længere med mindre jeg finder et overlevende brunt værtshus eller tager på Staden)

            Jeg må indrømme at jeg ikke har turdet se noget af “det nye” og ikke kan huske noget som helst af “den sidste rigtige” med de gamle drenge.

            Hvis nu ham der spillede Børge ikke havde kastet sit liv i rendestenen kunne der have været et Kim af en chance for et ærligt “generationsskifte” hvor man finder nye stereotyper han kan spille op imod, evt. “hans børn” der nu ville være lige så gamle som de oprindelige bandemedlemmer.

            På den anden side kan jeg da godt høre at jeg nok tager det mere alvorligt end nogen som helst i de gamle film gjorde. Jeg er bare bange for at der er nogen der kommer og besudler mindet om en serie der egentligt toppede i 1eren fordi der var nøgne damer.

            Nye film må godt have nye ideer og så lade sig inspirere af gamle film.

      • SoyViking [he/him]@hexbear.net
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        1 year ago

        Another great quote is made by Jensen, the burnt-out detective tasked with catching Egon and his gang. His younger and more naive colleague remarks that “crime doesn’t pay” which prompts Jensen to give the following answer:

        Oh God! My dear, dear young friend, you are terribly mistaken. Believe me, I’ve been on the force for more than 25 years, and I know what I’m talking about. Duty carries its own reward, but it’s modest. Integrity is beautiful, but meager. Justice is proud, but one-eyed. Love is sweet, but costly. Friendship and camaraderie, those are good to look back on in your old age. But the only thing that pays, that’s crime!

        Jensen makes a lot of glasses-off remarks such as “when the really big criminals arrives the only thing the police can do is to offer them protection”.

        • Egon [they/them]@hexbear.net
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          1 year ago

          Yeah it’s honestly a really good series. There’s a reason it got big in the GDR. It’s wild what they could deliver while still keeping it comical. Like that text reads as some really deep quote, but in the scene it’s probably played for jokes. It’s great.
          My only gripe is how Yvonne ping-pongs between being more insightful than Egon, and being an immense dumbass, depending on what the plot demands