- cross-posted to:
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- cross-posted to:
- [email protected]
" I run Anna’s Archive, the world’s largest open-source non-profit search engine for shadow libraries, like Sci-Hub, Library Genesis, and Z-Library. Our goal is to make knowledge and culture readily accessible, and ultimately to build a community of people who together archive and preserve all the books in the world … In this article I’ll show how we run this website, and the unique challenges that come with operating a website with questionable legal status, since there is no “AWS for shadow charities”."
School needs text book, school comissions some team to make text book, school pays people fairly for their effort to make text book, everyone has textbook and the only sad people are the greedy publishers who would have done no work. You want print copies you pay for cost to print from wherever you want. Besides, texts books are a pretty dead medium of learning in the digital age open source free options already exist and are being actively produced by volunteers.
You can already go see bands play other peoples music, have you really not heard of cover bands? And despite cover bands existing people like seeing the original even when the original is way past their prime.
Corporations already sell sell many artists works after only paying the artist once and never again. But, who would buy from a corporation for anything more than the printing cost? Same as the textbook scenario. Some people want new painting, people comission painting, painter get paid fairly for painting, everyone has access to new art, only greedy coroporations sad.
Sorry my fault, by textbook I meant novel. If authors of novels would want to work without publishers they could already do that today, no? I’ve heard of cover bands, but those do pay a fee in order to be allowed to play other bands’ songs live and they need the artist’s/publisher’s consent to publish recordings of their cover songs, which probably is paid for as well, I guess.
Corporations selling artists work after only paying the artist once is a flaw in the contract these two parties agreed upon and is often successfully sued against later. So this is and should be illegal. Of course individual artists might not have the finances to fight the battle against a publisher which is a problem.
I am all against coprorations and companies making money off of others people work and I see a lot of potential improvements to be made about copyright and intellectual property. But despite trying and wanting it to, I do not see it working out without any protection of creative work. But maybe that’s just my lack of understanding things (low IQ score), as indicated by the graphic in the shared article. I think it is important to separate art from knowledge though, which should be paid for by the collective and free to anyone to access.
The equation is very simple for all forms of creation. The act of creation has real value and should be compensated for (in our society this means money, but this isn’t a rule). Once created, easily replicable items are only worth their cost to replicate and all other value is artificially induced. We compensate the act of creation fairly by any of the means i mentioned before and then all other costs are material and labor. This is fairest to creators although you will see less ultra wealthy artists, this will leave more wealth potential for artists with smaller starting resources.
Also, Art and knowledge are inseparable and this is obvious when you see how a scientist crafts their knowledge into stories and artists weild their medium as engineers.