hissing meerkat

  • 2 Posts
  • 100 Comments
Joined 1 year ago
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Cake day: October 31st, 2023

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  • Most crosswalks in the US are not marked, and in all places I’m familiar with vehicles must stop or yield to pedestrians at unmarked crosswalks.

    At unmarked crosswalks and marked but uncontrolled crosswalks we have to handle the situation with social cues about which direction the pedestrian wants to cross the street/road/highway and if they will feel safer crossing the road after a vehicle has passed than before (almost always for homeless pedestrians and frequently for pedestrians in moderate traffic).

    If waymo can’t figure out if something intends or is likely to enter the highway they can’t drive a car. Those can be people at crosswalks, people crossing at places other than crosswalks, blind pedestrians crossing anywhere, deaf and blind pedestrians crossing even at controlled intersections, kids or wildlife or livestock running toward the road, etc.











  • A red flag.

    Sharing dangerous ideas with somebody to show that you think they are safe is an honest signal of trust, but only if the dangerous ideas are genuine.

    Someone who attempts to buy trust disingenuously is not to be trusted.

    Someone who thinks in terms of kompromat and manipulation is dangerous to be around.




  • I don’t draw, but I think a lot of the facial sexual dimorphism in people isn’t real. The same features that appear masculine in some populations or cultures appear feminine in others. A bunch of recognizing masculinity or femininity is probably based on archetypes and other signaling features.

    In western media women are presented as younger than men, so lots of the features we recognize as feminine like having a smaller nose are really features of being younger. (And also why nose jobs are popular - not only do they make you match a societal beauty standard, they also make you look like your own memories of yourself)

    The really observable facial secondary sex characteristics are darkening of hair pigmentation and increased sebum production in men. In art those would probably show up more in shading than line drawing. Feminine makeup in response to those things is kind of a mixed batch. There’s adding shading to the face in places that wouldn’t be darkened by facial hair, like cheeks or under the eyes, which might exaggerate sex linked appearance. Similarly trimming eyebrows to reduce the appearance of darkened facial hair. But there’s also markup to darken and thicken eyebrows, makeup to lighten cheeks instead of darken them, and makeup to add a more oily, glowing appearance.