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If someone using Brave gives him money and that money goes in to a homophobic lobby it would be better for consumers to know that so they can actually consent to that. Consumers deserve to make informed decisions about who to or who not to support.
I don’t slay queens, I serve them
I’m sorry, I’m on the fence. I’m all onboard calling “rizz” and “skibidi” cringe, but I’m never going to stop slaying or serving.
mraaaow :33
I’ve seen it above that level, again because of the USB port. Definitely not arena sized, but definitely large venue sized.
Yeah, there’s a Behringer desk that is ubiquitous…
You’re correct but in my experience everything I’ve used at a venue is analog, running almost entirely off of the mixing desk, without an external computer running Win/Mac/Linux. And half of these consoles I’ve used had a USB port which was used for, among other things, storing templates. This allowed for our front-of-house mix engineers and monitor mix engineers to cruise along because most of the work was done at home or in other venues. The software for writing those was Windows/Mac at the least, I don’t know if any used Linux and I’m not sure if they were “human-readable” text formats.
At that price point I’m not so motivated to work on something FOSS, I care more for working with the hand-to-mouth musicians than the large institutions.
Decent Sampler (and the attached Pianobook community) fits my needs perfectly well, with the exception that it’s not FOSS.
This is about FOSS and I can’t see that Audiotool is FOSS, and Samplers are not Sample Libraries. Sample Libraries are ubiquitous among producers who want a good sounding recreation of a real instrument but cannot afford (or morally support), for example, Pianoteq’s modelling algorithms or Spitfire’s premium libraries, neither of which are FOSS, or the instrument itself or a session player.
As I said, the most promising multi-sampler or sample library software with an active community was Decent Sampler, which isn’t open-source and now supports DRM.
What do you mean the “live production stuff” exactly?
In my opinion it is a terrible choice for a company to rely on a dependency like XZ, especially maintained by one person as a hobby, without being able to meaningfully contribute to the maintenance themselves. I just don’t think I can be sympathetic to a company having to maybe bend a rule or two to donate.
This is one of the problems, these companies and other groups just use a dependency maintained by one person (Lasse) without meaningfully contributing to its survival themselves.
I’ve looked at these, especially LMMS, but in my view they aren’t enough (or good enough) to completely escape non-FOSS.
Sample Library plugins, my area of interest, are under two or three banners: Kontakt, Decent Sampler and SF. None of these are appropriately free, although Decent Sampler shows the most promise of breaking down the class divide in this area.
Software for the production of music and audio, like Ardour but for more platforms which more typical people could use more easily, plus plug-ins for that ecosystem. It’s a major sticking point how corporate that field is for me.
They can help by donating some of their billions.
Do you like your men like you like your software?
I did for a long time settle for adjusting the phone in the pocket, even putting things in there to change the position of the phone, but no, it never helped much. I’ll look in to getting it or something like it, thanks so much!
It was sad, yes, but I found that the dongle I already used for my laptop worked a charm with my phone. Sometimes plug in a keyboard and SD cards. Somehow handles it. I only really used an SD card for cameras and portable recording devices.
I think my needs in audio are mostly driven by my career. If I was not a music-person I would not need wired earphones. The driving factor of my having them is that I could pull them out of my phone and work on my laptop very quickly. BT headphones just had too much latency and not the best soundstage or frequency response…
For the moment I’m on a budget so DACs are not in my budget. They seem fun though, and I do love my hi-fi so, who knows, may be worth?
The latter image, I used dongles like that. They broke within months and I had tried multiple brands, I soured on them a few brands deep.
I have yet to use a USB-C to 3.5mm dongle for my phone that hasn’t gone bust in my pocket in a few months. Probably time to see about a cable for the earphones that terminates in USB-C on the phone end, but that was difficult to search for.
I love my wired ones, and have been nursing some BT earbuds for years, but it’s hard to use wired and not to move to BT anymore without buying a phone specifically for the 3.5mm jack.
Maybe it wasn’t designed to be a purely technical review, then?