I keep trying to explain that to people too. The whole point of having an on-set armorer is so the actor can stay in their headspace and not have to worry about checking to see if a gun is loaded with live ammo when their character is supposed to assume it is.
You either keep yourself in the headspace where your character is shooting a loaded gun and you give a good performance, or you do firearm safety checks. It can’t be both. Maybe you’ve never done any acting, but it really can’t be both.
Again, not if you want a good performance. And I am guessing your acting did not involve shooting a realistic weapon on a realistic set in a major motion picture.
I keep trying to explain that to people too. The whole point of having an on-set armorer is so the actor can stay in their headspace and not have to worry about checking to see if a gun is loaded with live ammo when their character is supposed to assume it is.
True, but also, safety is everyone’s responsibility. Safety is always the first priority.
You either keep yourself in the headspace where your character is shooting a loaded gun and you give a good performance, or you do firearm safety checks. It can’t be both. Maybe you’ve never done any acting, but it really can’t be both.
I’ve done acting, and I’m familiar with safe handling of firearms. You can absolutely do both.
Again, not if you want a good performance. And I am guessing your acting did not involve shooting a realistic weapon on a realistic set in a major motion picture.
I’m not aware of any studies on the matter. If you are speaking from your own experience, it’s not any more definitive than mine.
I am speaking from my experience of working on multiple film sets.